Hey! So my dear friend Casey Erin Wood started recently doing Facebook Live to share her creative process as she works on her memoir. This inspired me and seemed like a really cool way to stretch the courage muscle (and the inspiration muscle) and to get a little more comfortable on film while helping people with their projects.
So the inaugural launch is tomorrow over on my FB Live page! You can pop over there here!
I have a tendency to veer toward the spastic when I’m excited. And since I’m planning on having a memoir coming out not too long from now I want to work on being as comfortable as possible live and in front of people. Because best case scenario is I’m gonna be in front of people. And not too spastic.
Also I freaking LOVE talking creative projects with people! So my plan is to get on Facebook Live weekly on my Public Figure FB page (even saying that still stirs my Imposter Complex) at a set time, talk a little about what I’m working on, and share my brain and heart and woo-woo-ness on your creative projects! Intuitive hits, troubleshooting, what have you. Seriously, what have you? Bring it to me!
Does this sound like something you’d be interested in doing? I would love to have you join me as often as you’d like. But it’s super casual, too, so you don’t have to show up every time. But you can. Use me, use me, I ain’t your average groupie. (Thanks, Sir Mix-a-Lot).
Let me know! Maybe we can flex the courage muscle together! Because lord knows the world needs more beauty and creativity. What say you?
Again -- here's where I'll be tomorrow at noon going LIVE (and not NUDE!)
Last night the coaching program I’m in had a teaching call with Desiree Adaway: “Leading difficult conversations on race, class + gender. Writer. Speaker. Coach.” (From Desiree’s Facebook profile.)
Desiree talked with us about intersectional feminism and read pieces from Audre Lorde’s Sister Outsider. We discussed anger as fuel, “accountability with care,” the fact that we’ve been socialized to fear each other (and it’s in our DNA), white people forging relationships with people of color, fixing our communities by caring for the person who needs the most help first (and then by default the most privileged will also be taken care of — THIS IS HUGE), that we need to decide what kind of world we want to build once we’ve dismantled the current patriarchy (like, where are we headed as opposed to what are we leaving), and this:
“What are you willing to give up so that your sisters can gain?”
And we’re not just talking cis-ters, Desiree made sure to point out.
Eventually some of us spoke up. I spoke up. And then had a vulnerability hangover, of course. This old refrain:
Am I saying the right thing? Am I saying the wrong thing? Jesus Christ, now I’m sacrificing my own integrity and authenticity by worrying about saying the right/wrong thing. And then. Breathe. We’ll get through this. There is so much to gain here.
But first — what to lose. I mentioned on the call that I had decided fairly young I was willing to give up Catholicism and the community there because I didn’t like how women aren’t considered as holy as men (or cannot hold authoritative positions in the church). I didn’t like how women’s rights aren’t considered. That men make decisions about women’s bodies. That homosexuality is considered a sin. Hell, that sexuality is considered a sin. That the people of other religions are looked upon as not “chosen," and I knew a lot of them — Jewish friends, Muslim friends, Jehovah’s Witness friends, and they were all beautiful and holy to me. And then there are some Christian religions where, for example, black people weren’t allowed to hold the priesthood until the 1970s.
The more I followed my own inner-rudder and what I still intrinsically believe is right and true the more it took me away from a place where I grew up, made the sacraments, felt safe. The image of that schism for me is that I’m floating out in the cold cosmos, beyond the stained glass windows looking in on the warm Saint Gabriel’s church where I grew up, but feeling right about it. Even if the beautifully powerful pipe organ I always loved the sound of seemed to ring out more righteously than my own small voice. I would just have to know in my heart and that would be enough.
I remember one day in my early twenties seeing footage of Pope John Paul II cupping the faces of young girls, who were crying at his touch. They felt safe and spiritually sound. Comforted. Like all would be OK. You could see it on their faces. And I longed for that comfort. But I decided in that moment I was willing to give up that comfort for my integrity and for all the people who weren’t treated how I’d like them to be treated by the Church. Don’t get me started on the children and how the Church dealt with those horrors. So, I wanted that comfort but the price was not worth it to me — being complicit in hypocrisy (and so much worse).
I am also willing to give up the comfort and safe feeling of not having the difficult conversations. Of not correcting people when they say something racist or ignorant. And then doing that with love, as Desiree suggested: “Accountability with care.”
Desiree talked about loving her community more than she hates racism. For me, part of what I’m willing to give up is the comfort of the tribe within some of my community circles in order to foster honesty and love for all without any guarantee I’ll be accepted by all. To continue to share that steadfast integrity that took me away from the Church as a young person (and to continue to dismantle what’s been systemically ingrained into me). I was willing to float out in the cosmos then, I’m willing to float out in the cosmos now. Though I suspect, as I have a blindingly bright community of women, I won’t be floating too much. I’m not even close to alone this time.
And when we ask, “What are we willing to lose so that our sisters can gain,” I think we also should consider: “What are we going to gain when we give up what we give up so that our sisters can gain?” I feel we will gain something far more profound than what we give up. Not that we need incentive to do this work. But it’s there. Because we’re just changing the world is all (and when I say “we” I mean people of color leading the way — because everyone benefits from that, whereas if it’s white women trying to lead the way, we don’t have the ingrained experience of oppression to know the exact spots that need to heal). Giving up the old systems that kept white people feeling the illusion of power. Healing.
I have some questions, like how do we use anger as fuel in the best way? And how do we learn to trust each other? As we’ve been afraid of each other due to how we’ve been socialized and centuries of oppression. I guess we start talking about it more. And stop talking. (As was also discussed on the call.) Listening. Compassion. The word “compassion” keeps coming back to me. But not expecting compassion from others. Taking care of ourselves with compassion so we are fed and ready.
And I’ll have more questions. And I pray for the strength to ask. But I see a glimmer of hope — the door that was built between women of color and white women by the patriarchy is cracked open, and I hope we can all see at least a sliver of light there. Because the truth is, together we are powerful as can be. Powerful enough to heal and thrive together. The truth is NOT what we’ve been socialized to believe. The truth is deeper and it lies in our shared traumas and joys — whether or not we know each other personally.
And of course it's not just about white people and people of color. It's also about classes and disabilities and LGBTQ people for lack of a better acronym and any number of mixtures therein. It behooves the patriarchy that we stay separate. I read a great piece today including a bit about "check your privilege," which said when you hear that, look down your ladder of privilege toward the chute where someone else might be at a disadvantage or marginalized and see where you can extend a hand and help.
Just because the hegemonic patriarchal systems that be say “You are separate” doesn’t mean it’s spiritually true. Yeah, there’s a lot of pain there. But just like women always do, we’ll figure it the hell out together and move this ship forward. And that’s going to light up the whole sky. I don’t want to get too ahead of ourselves, but it’s a future I want. And yet, it doesn’t matter what kind of future I want (except for any usefulness the heft of my intentions might hold). So I’ll listen and see what I can help tear down and where I can help build.
“Dear Sister(not just cister),
“At the center of liberation is love. Love of self, love of others, love of community, love of humanity.” Desiree Lynn Adaway
I have been reflecting additionally on the super moon we had last Wednesday. The end of the 1999-2000 cycle. And what I also realized is I have so much light around me these days it’s not even funny. When I lost my mom in 1999 it felt dark. I mean, I had my family and that was a bright spot. As were music, friends, etc. But everything felt so cold. So now that I’m facing my father going into palliative care (this happened yesterday) I feel so much light around me. I feel grace around me. And when I feel into the grace I think: Oh, that’s my mom. I feel her around helping.
I have forged so many light-filled friendships over the years with intention that I feel very held by that. And Sandy Walsh — who is an amazing massage therapist and lightworker of amazing proportions — was talking to me today about ushering in the new earth and how self-care and finding the light within that bolsters us, and by default, others, is the work.
Here we are, all connected and stuff. That wasn’t the case for me in 1999-2000. I remember it was a point of pride, actually (because I needed something to feel proud about), that I was not in a relationship at the time. I remember standing at my mother’s funeral, between my siblings (so not really alone, but not paired, for sure), and thinking: “Look at how strong I am. Standing here alone, not in a relationship, at my mother’s funeral, and dealing with it.” My ex and I had broken up a few months earlier but had been together for four years, so it was new. It felt clear, to be sure, but it also felt dark.
This time feels lighter. I’ll see how I feel when I get down there tomorrow and visit my dad. My sister called to say I should probably come sooner than I had originally planned (two weeks from now) if I want to have a somewhat lucid conversation with him. She said when he was sleeping his face looked slack and not good. And that he’s lost about thirty pounds since my niece’s wedding in September. He is out of the hospital, which is great, but he’s declined a lot even in the past week, my sisters have said.
So I’ll drive down to New Jersey tomorrow with Brent. We’ll stay at the Residence Inn as we always do. Still deciding whether to bring Oliver. I’ll see my sisters and my dad. These are all the smaller logistics-type things that will be fine.
And then I’ll see how it is to see him and I’ll do or feel what needs to be done or felt. And in the bigger sense, for now, I feel grace, and my mother, and light. And I’m repeating myself because I’m luxuriating in that difference from the last time my parent began to slip away.
During my writing group’s virtual write-in today, my dear friend Casey Erin Wood mentioned that this super moon is supposed to be the end of a cycle that began in 1999-2000 and that it might be helpful to journal on that cycle and where we are now. This kind of blew my mind, because at the end of 1999 my mother died and recently I finished my book, which is quite a bit about her death. That book is with my mentor now and getting ready to go out to agents and publishers. So, yeah, reflecting makes sense.
Oh, wait, year-wise, this is really the proper Mike Myers flashback reference...
What is weird is that I applied this face oil this morning that I used to use back in the early aughts. Bindi face oil for the pitta dosha, with rose and other essential oils. At that time I was depressed. I had just lost my mom and I was lonely in Boston. And my sister Nancy had recommended this soothing oil. It is one of the things I can remember as being part of the start of my own deliberate self-care.
Where does this scent take me? In 1999-2000 I wasn’t the powerhouse of self-care and luxuriating I am now. A lot of the time I didn’t know what the fuck I was doing. My freezer was full of hamburgers and Lean Cuisines. The red-boxed Weight Watchers Smart Ones were the real treats. If I had fruit it went moldy. I had too much stuff. I watched episode after episode of Buffy the Vampire Slayer and Angel. I reached out to people on Craigslist who were looking for musical collaborators. I tried out for this guy’s rock opera and didn’t get it. I met another guy who wrote a song about Linus (it was pretty cute, actually) and left that meeting from his loft apartment in Harvard Square with a springy step. Yes, I went to a stranger’s apartment in Harvard Square. Luckily, he was fine and not a predator. But even so, we ended up not working on music together for some reason. And of course you don't have to work on creative stuff with anyone who isn't a predator (tell that to my twenty-five year-old self).
Traipsing through the square to some guy’s apartment made me think of my older, shittier (I think) attitude. I used to think people who walked through life not being deliberate about their movements, as I had been taught to be, were like that cartoon baby in a construction site from Tom & Jerry, crawling from swinging beam to swinging beam, saved only by chance and the wind blowing the right way and never noticing how on the edge of peril they are, constantly. But I was one hundred-percent that baby. Even though I felt like Tom, holding people up. I guess we all are that baby and Tom, in a way. If we don’t think we are, we’re probably fooling ourselves.
Speaking of “fooling,” the image of the baby and traipsing around and ambling willy-nilly through life makes me think of The Fool tarot card. We might think, oh, cute, The Fool. Aren't you darling. Head-pat. But we all tend to know we need a little bit more of The Fool energy in us. We sneer, but we secretly want to be like that. We don’t want to have to be so responsible all the time.
I love that I felt completely safe going to a stranger’s apartment. Happily, I was safe. But we are in a different time now. I felt safe because I had been safe in the past. But today we are more connected. We feel each other’s pain. We say #metoo. All the dirt is coming out. Shit is bubbling up (that's disgusting, but you know what I mean, also, the bubbling shit behavior is disgusting). And we are finally looking at each other’s wounds and knowing that as long as she has wounds I have wounds, too. Our connection to each other has deepened. In part because we see tremendous injustice and refuse to stand it.
I often think of shared trauma — how women share a “trauma past” because women have been repeatedly traumatized. Systematically. Even though I was not molested I have body and sex shame because my mother had body and sex shame. And I remember my Granny telling me once about when one of my uncles was conceived when her husband was very drunk. It wasn’t even a consideration to say “no.” She did not tell me that last part. She just told me matter-of-factly, like, it's what you do, like putting on socks or peeling a potato.
Yesterday would have been my Granny Bunny Mikus’ ninety-eighth birthday. I just looked up her obituary from 2010 and a wave of grief came over me. I’ve been having this feeling a lot lately that life is just so damn precious. LIFE! You are like a sweet kitten! Let me hug you and pet you! With ill family members and my dad in the hospital for pneumonia (pee-nemonia, he used to jokingly call it), I try to hold onto the preciousness of life, my family, my friends, my husband, my cat. I think of how my dad was so tough to be around in 1999 and 2000 as he ineptly grieved my mother and was terribly mean to me. And how now, with dementia, he's always telling us how much be loves us. Even today my sister said texted:
"He's saying we are all loved, fine, adorable, and that he's doing his best without favoritism because we are all great."
All this from the hospital bed. I mean, it's a total turnaround. I feel bad he's not feeling well (and I'm concerned about him), but I'm in awe of how he's handling vulnerability, when at the beginning of this cycle he was handling it not well. He was handling grief and vulnerability like it was a poisonous viper that he was throwing at me.
I sit here right now and listen to a bird chirping and it always makes me feel better. Sweet, soft life kitten.
This lovely woman who makes me flower essences had posted on Instagram about allowing her tears to flow as part of her self-care. I think this is wonderful. After I was diagnosed with DCIS in early 2016 I decided that I would let myself cry a lot more. I mean, I'm not at cafes ordering coffee and blubbering, but I let it happen when it happens. Like putting on socks or peeling potatoes. Funny how our own tears are a thing that need to be allowed, yet only two generations ago in my own family so much more that others did to us was allowed. Hell, even in this generation. We're finally getting to the point where it's safe to say #metoo and "don't treat me this way" and "no."
Sometimes I feel like I’m out in the wind, in the desert, having experienced the losses I have experienced, but I'm out there with these fellow travelers whom I don't personally know but can easily connect with based on our losses. It’s hard to explain. It feels like the buffers are gone. I grew up with so many buffers, so sheltered, so cushy and comfy. Also, people used to wince when I talked about losing my mother, probably because I was still so raw around it. And these days I’ve talked about it so much that I’m almost used to it. It’s my story. And I’m sharing it now — it’s been alchemized into something useful, as in a book, that hopefully will help others feel less alone. It helped me to tell it.
I have been thinking a lot about this mediation I did in a workshop led by Sam Bennett last weekend. Sam had us get in touch with our blocks. Whatever is blocking us. And mine was a big, old, brown book of my old stories, other people’s expectations of me, pictures of me playing piano, the time everyone hated me when I was sixteen. And when Sam asked what the block has to teach us, it immediately gave me this:
“You get to use your stories. They don’t get to use you.”
Whoa. I cried when I heard that. Thanks, book block, whose actual size ended up being that of “The World’s Smallest Bible.”
And speaking of using my stories, one of the other things I was doing in 1999-2000 was sitting up in the loft in my apartment on Sumner Road in Cambridge, tucked under an eave, at the desk I bought from one of those unfinished furniture stores and stained myself, with the gigantic old PC, with some tea and a candle burning, starting my first blog on Diaryland. The blog that got me my columnist position that just ended this year. The blog that gave me a refuge from so much. I got to be unapologetically goofy (one of my favorite pastimes) and write about the pop culture I was consuming and religion and whatever the hell I wanted. I have even gone back to Diaryland a few times to post because I know no one will read it and it feels like being on a luxurious radio station all to myself.
One incredibly beautiful thing about being in my forties is that even though I know I’ll suffer more hardships, I also know that I am in good shape, mentally, physically, emotionally. I take great care of myself (with a few slippy things I could use to clean up, like I drank too much wine on the plane last night). I have strong roots and a strong trunk and flourishing leaves. I mean, obviously that’s a metaphor. I’m not an actual tree. I feel differently than I did in 1999-2000. Back then I felt depressed and exposed. Now I feel joyful and like I want to share.
It’s also hilarious that I’m reflecting on that 1999-2000 time, because here we are back in our house in Cambridge, Massachusetts (we flew in from Boise yesterday) and I am looking back at a time when I returned to Cambridge after my mom died. I’ve finished the book. I’m closing the book that is the big, old, block filled with my old stories and I’m shelving it for whenever I want to use it, instead of it using me.
I have amazing women in my life — most of them creatives — and I don’t feel lonely like I did when I popped into a stranger’s apartment, searching for someone with whom to make music, create something. I feel heard now. And I feel healed, too. I mean, let’s be real, there’s always more healing to do. But I feel…SOLID.
And I love that girl that I was eighteen years ago. And I’m so glad she started writing again (gosh, I feel like she was cleverer than I am now). And I’m so glad she kept trying to make music (even though most of those times were signing onto other people’s projects instead of trusting her own — but remembering this just makes me really strong in my convictions that my own work is worth it).
It was all the winter and spring-scented messiness that got me where I am now. The meandering path. The “what the fuck am I?”
And the answer, all of these years later:
I am me. Using my stories.
My new therapist brought up shadow work during our first two sessions. Maybe because I come off as a little Pollyanna she thought, “What horrors are lurking under this person’s surface?” I wonder that, too, sometimes. I made music with a guy for a while who wrote on his blog that when you scratched my surface there was something “vain, black and monstrous" there. I’m still waiting to see whatever that monster is inside me emerge, however (and I really hope it’s not like that five-foot worm someone was housing after eating raw salmon on the regular). He did see me eat some McDonald’s french fries once (and he wrote about that, too — I think the word “piggy” was used), so hey, monstrous it is.
I am gentler with myself than old enemies have been, so I lovingly delved into some shadow work recently — looking at rejected traits and how we project them onto others — and came to the conclusion that my shadow wants a baby. Which is funny, because most people’s regular ego/consciousness (I should look up what this is called) is the part that wants the baby. But for me, wanting a child is a rejected trait. I’ve decided I’d rather create art, hold onto my hard-won autonomy, and save having kids for another life, while maybe eventually teaching some people writing and letting my maternal energy go there.
The idea with shadow work is to start by seeing where you get mad or what triggers you in others and then trace what is mirrored there in your own rejected traits. I noticed I was getting irritated with some children being around and yes, I felt guilty about it. I was getting annoyed at a baby crawling across the floor of my doctor’s office to go bang on a water fountain. My inner huffy Muffy came up, wondering, how could this parent just let the kid crawl up so close to that door that could open at anytime? And then I felt the instant flush of shame for not first being compassionate. But this gave me a lot of goodies to chew on in shadow work. Like, oh, my shadow wants to take up space. My shadow wants to literally create more of my DNA through additional humans in the world because this is a miracle and people seem to do it like it’s nothin’ and it has been a huge question my whole life that I’ve just sort of sublimated for other things. And the ability to “just do that” is a rejected trait in myself.
I also notice how little bandwidth some peeps with young children have (because: young children! Of course! It is and should be the main focus of one’s life when that’s what one’s got going on!). And how they can go large time periods without communicating with friends because they are in the shit most of the time. But since I’m in my own bubble and not in the shit, I explored how my shadow wishes it could go weeks without even giving an extra thought to what someone outside of my sphere might be needing/thinking/wanting. I think too much, perhaps, about how others are feeling, how my communication might be affecting them, and one of my rejected traits is not worrying at all, not having guilt, and just letting ‘er rip, whatever “‘er” might be — kids, going incommunicado, going commando, going Lando Calrissian, what have you.
And now is the paragraph where I let you know that my true heart — my conscious, regular, this side of the consciousness situation (as opposed to The Upside-down) — wants my people to create and nurture their families and live their familial dreams. I have compassion for my friends and for the people with children I see out in the world. It’s the hardest job and the most miraculous. And my shadow wants it. But I don’t.
So I’m just going to go on letting my shadow want a baby and checking in with myself. And this shadow work is something else. Hey, it’s nearly biblical — it’s like quite clearly taking the log out of your own eye before pointing out the speck in someone else’s. Deal with your rejected traits before you poke at the thing in someone else that is really your rejected trait your shadow wants to express. And then when you start to integrate it, it’s like a whole new you. Or at least a whole you. Even better. Which is really what we want. Whether or not we’re having kids.
So here’s to wholeness and listening to the shadow. Hey, it’s an improvement over not listening and then, say, snapping out on an innocent kid at the doctor’s office. Not that I’d ever do that. I don’t think. Thank god for therapy. And for not being a psychopath.
Thank god I’m not a psycho
Don’t kill stuff and think it’s right, so
I’ll keep going my way
And giving my shadow space to say:
“I want a baby”
“I want to scream”
Because it gives big-me
Space to dream
This is getting pretty cheesy
I get played out
By “Bottles Up” by Jeezy
My shadow definitely wants to pop bottles and live the pinky ring/mini chopper/teleprompter lifestyle. Here's me gently rocking out (with a cold) to Jeezy:
Oh, hello, old familiar feeling. Like that old boyfriend who always chewed cinnamon Trident and the second I’d get into his orbit again (a few more times than I’d like to admit) I’d be like, “Oh, this again? OK, guess I’ll go with it.”
IThat was twenty years ago, but today I’m talking about the feeling of being in limbo. It had been a while since I’d drifted upon its oddly fuzzy shores where there’s not a damn thing to do. BUT — there is also ANYTHING to do. Anything you want.
I made a concerted effort some years ago to change my life. No bigs, right? One of the things that helped the most was being in inadvertent limbo. We were having our bathroom remodeled and the contractor fucked up so we were stuck out of our house for two months one summer. I was livid. But I also was pushed into limbo, literal dislodgment, and that ended up dislodging me from being stuck. I started playing music again and it was the veritable beginning to getting creative again, following my inner star. I should write that contractor a thank you note. Well, not so fast — he also totally fucked up our drain installation, which we found out when it broke several years later and had to get replaced for $$$$.
Anyway! Less-than-attentive and disorganized contractor notwithstanding (also it was my fault for hiring a bar buddy to redo part of my house — I know, I know), being in limbo is so useful if you let yourself go and float there. It’s like hotel time. During hotel time I always get so much done. I reedited half my book in the mornings on vacation in Seattle in October.
One of my close friends was dislodged recently for a week (and not sure when she would get back into her house) due to some housework that would cause fumes that would be no good for her baby. And she got so much done! Of course she is naturally a get-up-and-go-er, but I loved seeing how excited she was in the midst of the dislodgment.
So why am I feeling bad about limbo today? Why do I find myself needing to majorly solidify plans, manipulate everything into perfect symmetry on my desk, fridge, face, hair, husband? Probably because I’m ready for the next steps. I’ve laid the groundwork. Let’s go. But also I have laid the groundwork and now I can relax. Sort of. Choosing between relaxing and cleaning/fixing everything is funny. Hey, all my linens are clean as a whistle and I’ve WD-40d the front door and oh, hey, do I hear a squeak somewhere…?
If I let myself ease into it, limbo is not a bad place to be. I love the “and” between things. The liminal space, as it's called. This is why, when I relax and look around me, I actually enjoy airports — it’s the place between places. Everyone is off to somewhere else. No one lives there. There is a freshness to this energy (even if airports are also the place where you get stuck, etc.). If we detach from our traditional ideas about airports and the in-between we might find some value there. Should I go sit at the airport? Nah, that probably won’t make me less antsy.
So, while in limbo, I like to take the creative bull by the horns. This past week I’ve organized two albums’ worth of songs I recorded over the last few years. That’s something.
I’d like to switch gears for a second, however, because my husband just came in and interrupted me while I was writing and now I have totally lost my train of thought. Usually I can swim back down but today I am tired due to being weak from some food poisoning a couple nights ago. This is my own bad. I keep making the mistake of wherever I am putting my desk out in the open. Like, why do I do this? Resistance? I’m so mad at myself.
And now I am in even more limbo because I can’t even finish this piece in a way that makes sense or is satisfying. And I have a headache. Sucks.
I guess just ending it thusly makes as much sense as anything else. Limbo!
I’m going to walk away from this post and come back in a few days.
Here’s my few-days-later assessment: After I wrote most of this I lied down with the cat, let myself not write, talked to my husband and then had that great cry where I found the depths of my little inner child who is so scared of both my success and failure. When I let her have a voice (and to come shooting out my eyeholes) I instantly felt better. It felt really good to let her out of limbo. And hey, maybe I would not have found her and let her have a voice if my outsides (limbo-mania) didn’t match where she was.
So, hey, limbo is valuable. If annoying and completely frustrating. But, as my therapist says, “Don’t push the river.” Which is attributed to Barry Stevens, an old Chinese proverb, and a couple other things. Whatever. I’m just going to go with it.
“The X factor in all of this is a degree of perseverance that you must have. You’ve got to pursue,” Tom Hanks says.
Linda Sivertsen and Danielle LaPorte recently interviewed Tom Hanks for my favorite podcast, the Beautiful Writers Podcast, to discuss his new book, Uncommon Type: Some Stories. The clacking of his vintage typewriter is music to my ears, as are the goodies he shares on perseverance:
There are people out there “that are wicked talented and creative but they’re waiting for permission to do it or they’re waiting to be invited into the process. They’re waiting to be asked or they’re waiting to be discovered. And that’s not the way it works. You have to pursue twenty-four hours. You’ve always got to be thinking of it, you’ve always got to be thinking of a story, you’ve always gotta be thinking of creating your own outlet for the stuff that is inside you. And it doesn’t matter if it goes anywhere. You know, it’s funny, my daughter, who is a screenwriter, she stumbled upon this reality...if she works really hard and makes it as great as she could possibly make it, it doesn’t actually have to become a movie for her to benefit from the work that she’s done — she’s gotta get paid, you know, that’s nice — but just completing it from the beginning to the end is a reward in and of itself that gives her all the satisfaction in the world.”
Well, I sure needed to hear that. Thanks, Hanks. And it reminded me I had written a thang about sweet Hanks a few years ago that I’ll share here.
My niece sent me the best thank you note I’ve ever seen and I’ve been musing about Thomas Jeffrey Hanks ever since.
I had a fantasy today about meeting Tom Hanks. What would I do? I usually don’t get too star-struck, though I think for Tam Honks (thank you, Fey-Poehler for that nickname) I would make an exception.
I’ve loved you since Bosom Buddies. I had a Steiff kangaroo I named “Kip” after you in Bosom Buddies. I think your character on Bosom Buddies is why I have a strange and maybe slightly fetish-y attraction to drag queens.
My husband suggested if I met the man I just sing the song from Big:
Shimmy shimmy cocoa puff, shimmy shimmy rock
Shimmy shimmy cocoa puff, shimmy shimmy rock
I met a girlfriend — a Triscuit!
She said a Triscuit — a biscuit!
Ice cream soda pop, vanilla on the top
Ooo, Shalita, walkin’ down the street, ten times a week
I meant it, I said it, I stole my mama’s credit
I’m cool, I’m hot, sock me in the stomach three more times
Yeah, that would go over better. I love everything about Big. All I wanted was to stand out the top of that limo with you set to Billy Idol’s “Hot in the City” and then jump on the trampoline with you. I also wanted to play chopsticks on the grandest of pianos in FAO Schwartz with you.
How about that moment at the end of Captain Phillips when you’re with the medics and you break down because you held it together for so long and to save the lives of your crew and keep a strong face? That was incredible. It made me cry, a lot. It was such a real moment. Thank you.
Forrest Gump? Are you fucking kidding me? I think Steve Schuler, who did a lot of around-the-house work for my parents when I was growing up, said it best: “Forrest Gump has EVERYTHING.”
Philadelphia, The Green Mile, Toy Story, You’ve Got Mail, Splash?!! Motherfucking SPLASH!!!
A League of Their Own. The Money Pit. The Burbs. WTF.
Dipping your toe in the Coen brothers water with The Ladykillers. Sleepless in [GDMF] Seattle. And don’t get me started about Saving Private Ryan (which spawned the best porn spoof name I’ve ever heard: Shaving Ryan’s Privates). Come on.
All the while — being NICE. God I HOPE Tom Hanks is as nice in real life as he’s seemed all these years. Maybe it’s best I don’t meet him. But I want to. Not in, like, a stalker-y way. In a I-want-you-to-dress-like-a-woman-and-I’ll-wear-a-mermaid-tail-and-break-glass-with-my-voice-while-jumping-on-a-trampoline-and-we’ll-share-a-box-of-chocolates-while-following-where-feathers-lead way. Yeah… WAY less creepy.
Hanks for the memory
Seattle afternoons, high-pitched mermaid poons
Money pits, pirated ships and 1930s prison goons
How lovely it was
Hanks for the memory
Of boxed chocolates and tiny corn, shaving Ryan's porn
Woody for kids, those Klopeks and The DaVinci Code's Catholic scorn
How lovely it was
Hanks for the memory
Partnered up with Hooch, or rocking one red shoe
The mispronounced “Oneders” in the cute That Thing You Do
How lovely it was
Hanks for the memory
AOL’s “Hello,” you thought of Jenny so
Volcano Joe, perdition roads, volley-bros (<-- that one's a stretch) before hoes
How lovely it was
Ah, Tom. This week I give thanks for you. And writing, the Beautiful Writers Podcast, the Beautiful Writers Group and all of my beautiful fellow writers in it, my husband, my cat, my family, my sweet friends, art, beauty, music, love, drag, the truth, and the click-clack of the keyboard under my fingers. Yes, holidays can be a whole lot of bullshit, but being grateful and making a note of it fills me with more delight than nibbling tiny corn at the Rainbow Room.
Many of us struggle with the idea that we’re adding to the noise when we share our thoughts and feelings about the state of the world. We often pull back because we feel there are more qualified people to say what we think needs to be said. And while there are people more qualified in some ways to do some of the things, we are the only ones who can say it exactly as we can say it. And that makes us super qualified to say a lot of the things.
And also, the people who don’t care about whether they’re qualified at all are sure out there spouting it out. Our considered, measured and passionate ideas are much needed by some. If nothing else than as a reminder that our atmosphere is not completely made up of the hot air of ignorant humans.
You’ve heard it a million times by now, right? The way you say your truth is the exact way someone out there needs to hear it. (Marie Forleo just said it today on the current episode of MarieTV.)
I’ve got a major gripe with the old refrain: “It’s been done.” This is something said by humorless people who are afraid to create anything. Because beneath the stinging surface it sure does let one off the hook. If it’s all been done we can just roll around in the mud of our own despondency. Doesn’t that sound pleasant? When I get a butterfly in my stomach because someone says “it’s been done” I remind myself: hey, so many people have had eyes before me, but I’m sure glad I have eyes, too, regardless of how derivative that might seem. Boom. Done.
So we kind of have to employ our inner bitch to get through some of this. Yes, there is a lot of noise, yes a lot of things have been done, but I’m going to trust myself and my desire to create more than I’m going to listen to those disembodied voices (most in my own head, by the way) saying I’m unworthy, why bother, there’s already too much noise.
Here I am in this point in time. Here you are in this point in time. Here we all are now. Oh, Michael Hutchence — popping into my head with the lyrics to INXS’ “Need You Tonight”: “All you got is this moment / Twenty-first century’s yesterday / You can care all you want / Everybody does, yeah, that's OK.”
While I’m not going to ask you to slide over here and give me a moment, and I’m not sure if your moves are “so raw,” but I do have to let you know, you’re one of my kind. And if there is something about you that makes me sweat it is that you are out there in the world doing it. Or in your cave doing it (that’s where I like to do it). Keep at it.
Recently I fell in love with Courtney Barnett and Kurt Vile’s joint album, Lotta Sea Lice. The title alone should tell you they’re not taking themselves too seriously. They recorded the album in eight days spread over fifteen months while they had enough time to be in the same place at once (Kurt's from Philly, Courtney's from Melbourne and they both tour extensively). It is precisely that they gave themselves room to breathe on this album and did not force perfection before creating it that is what’s so great about it. It is a breath of fresh, sometimes-goofy air and tender, with an expected vein of blue mold running through side B: The goofiest song on the album is called “Blue Cheese,” which Kurt Vile wrote most of when he was a teenager.
“BLUE CHEESE!” an audience member yells when we’re watching Courtney and Kurt play at The Moore Theater in Seattle (with The Sea Lice, an all-star band including Sleater-Kinney and Wild Flag’s Janet Weiss on drums).
“Alright,” Kurt says. “Let’s get this over with.”
I so feel his pain. In the sense of, like, I made this thing, it’s only OK, but it’s out in the world now. But there is something so charming and free about the song, because it was perhaps flippantly written, that it allows all of us listening to let out a big sigh. Let our shoulders drop. Because for a few minutes we’re not scribbling out ways to be better or more worthy in our heads or erecting justifications for making any noise at all in the world. It is of value. The fact that we’re even considering whether what we have to say is of value at all, in my opinion, proves it is. Not that we have to prove it. But hey, welcome to my spiral of brain activity. I’m glad I’ve got one, whether or not it’s obsessing (which has, oh, my baby, been done and done and done and done and done).
A moment of respite from our brain machinations during the wildly goofy "Blue Cheese" makes the song something pretty special, however much Kurt, the creator of it, feels otherwise. You know -- it's a metaphor for what we're talking about here. (Audience breathes sigh of relief thanks to the quirky singularity of a song while artist berates self for said song being an imperfect creation.)
Also, how much do I love this line (from their song “Continental Breakfast”): “I walk like a bruised ego along shorefront property un-owned to me / But I'm feelin' inferior on the interior don't ya see.”
I think that ties it up pretty nicely. See, they are literally talking about feeling small. I feel like that’s always a good place to start. If you’re afraid of making noise, write about that to start. I promise you this gal right here (and so many artists we love) will be able to relate big time.
Here's the official video for one of the singles off Lotta Sea Lice. And, like Courtney, I do cherish our intercontinental friendships and would love to talk it over continental breakfast with you. "Somewhere on this sphere, around here."
(By the way: "Kurt and Courtney have partnered with Plus 1 so that $1 from every ticket goes to support the ACLU and their work defending and protecting our individual rights and liberties." Daw, I love these guys!)
The irony of the “#MeToo” situation — where (mostly) women are sharing their experiences of having been sexually assaulted, violated, etc. — is that the people who are sharing are not the ones who should be feeling shame or carrying this burden. But due to our bullshit social and cultural constructs, in which women are devalued because of fear of their power (that’s the stem, in my opinion), it is the people who have been violated who are feeling shame. And yet, these men, the people who have perpetrated all of this bullshit, are just nebulously out there, not feeling shame at all. The reality is that what THEY have done is shameful, but because of our bullshit culture, it is the people who have been hurt by them that then feel the double sting. And then, AND THEN, the TRIPLE sting because they then, if they can find it in themselves, have to come forward and share.
ONCE AGAIN women are carrying the mental and emotional load, including where it comes to sexual assault. Let that sink in for a second. Please.
I wonder about all the men who have perpetrated these crimes. They’re just out there. I think about so many women I’ve known who have been violated and not only haven’t believed each other, but also have been silenced by friends because “the guy is already so troubled.” BOOFUCKINGHOO.
I’ve unfriended and blocked most of my friends’ abusive partners/boyfriends/ex-husbands and guys who have harbored rapists. Most of them. And yet, because we are in the culture we are in, people just get to float around as if nothing has ever happened and women ONCE AGAIN are left holding the bloody fucking stick and the trauma. How is a man not traumatized that he could be such a monster as to abuse someone? How? Because our culture harbors him? Probably.
So where are the #metoo men that caused the necessity for everyone’s “#metoo”? “I took advantage of a girl because she was too drunk. #metoo.” “I blamed the woman for sex with me she didn’t want because she was wearing a short skirt. #metoo.” “My parents taught me I could take whatever I wanted in this world, because that’s what American men do, so that’s what I do, including women and having sex with them. #metoo.” “I knew my friend raped my female friend but I let it go and told my other friends to let it go because that’s what you do and the women are the ones who have to carry the burden of everything always so let’s just let them continue to carry the burden and I’m a dude so I’m just going to go eat some chips I guess. #metoo.”
So, basically I feel like this — I’ll share my #metoo (and have). But what about you, perpetrators? I’ve carried part of a burden I had no hand in creating other than existing. Where’s your big, strong masculinity now? Can’t carry a little burden a tiny woman carried all on her own without you (that you caused)? Didn’t think so. What should I do? Perhaps refuse to continue to carry this burden. So that’s what I’m deciding. Get it off me.
And this isn’t all just about rape and dominating women. It is about toxic masculinity and men dominating each other. Ever work in a professional kitchen or have someone you love work in a kitchen? It might seem hilarious to some people to show their dicks to each other all the time, or show their dicks to one guy, or whatever. But you know, that’s a big fat #metoo, in my humble opinion. We need to shift. (Luckily restaurants are starting to make this shift.) And yeah, I see you, and I know who you are, dick-presenters and ass-grabbers and scrotum-fondlers. Your way is dying, and I bet it feels really bad to you, too, and like, “Oh no, people who don’t want to be touched without consent are taking over my kitchen.” Sound familiar? Yeah, awfully similar to wanting to keep people “not like us” out of here. Because: #toxicmasculinity and #privilege.
One positive thing out of this shitstorm of a presidency is that, similar to Whack-A-Mole, I think because so many of these violating assholes feel emboldened by having a leader who grabs women “by the pussy,” etc., is that spotlights are being shone on almost each and every one of these assholes and society is starting to no longer accept the old way — which was rape her and tell her to shut up and then she shuts up; if she doesn’t shut up, drag her name through the mud, ruin her life and make it seem like it was all her fault. Disgusting. Redundant, yes, but I needed to say it.
Here is the reality, cleaned of the societal conditioning: the abused is not the one who should feel shame. We feel shame because we have been told we should feel shame. This is a construct that has existed for a long time but is squarely NOT the reality. Yes, that shame feels real and hurts and ruins lives, but it is NOT based in anything real other than a hegemonic ball rolled through the ages. For example, we know witches were burned because men were afraid of their power and most of us place no shame on those women — how about no shame on us? How about seeing it for what it is? No. More. Shame.
When I was growing up my dad used to gripe often about how Bing Crosby’s son wrote a book about how Bing was abusive and how those were lies. Now, I’m not calling anyone a liar or an abuser (I wasn’t there and I have not read Gary Crosby’s Going My Way), but the book caused a feud between the brothers as well as big time anger from Bing fans everywhere. To me it is of interest because I always knew I would write a book about my dad (and him not being very nice to me) and now I have. And I wondered if he always knew, too.
“If any of you ever write a book about me, tell it to my face first,” my dad once bellowed.
But now my father has dementia. It’s a large part of my book. When I tell him I’ve written about my mother and my childhood and our family he says, “That’s great, sweetie.”
So — things change. If we’re lucky/unlucky/what-the-fucky.
There are several schools of thought on what to do about writing sensitive material about real people. The conclusion I’ve come to, for the most part, is that no one cares. I’ve heard it from several different writers I trust, including my mentor, Linda Sivertsen. No one gives a shit about what we’re writing. Our friends, for the most part, aren’t going to read our books. Hey, maybe if you live in a really enmeshed family, your peeps will read your book. But mine have only recently read mine (and I don’t know if any of them have finished it).
Here’s the thing — be respectful and be honest. Now, I’m not suggesting if someone was horrible to you that you should not share that. SHARE THAT. Do it. That’s the “be honest” part. But I’m talking about the smaller stuff. For example, I was editing my book and came across a part where I said one of my childhood friends was known to tell a fib or two. On this new editing pass that even seemed too much. So I added “innocent”: “…known to tell an innocent fib or two.” Because she was seven years old and if she read it now I would not want her to think I was calling her a liar. She’s grown into a wonderful woman and deserves respect.
Then there are the moments I’ve written about, like the ex-boyfriend who bit my arms and took up all the emotional space. I wrote honestly about that. And the narcissist in him will probably be thrilled I wrote about him at all. So I’m kind of doing him a favor. At least that’s what I tell myself when I think about him reading an honest account of our relationship. Because it’s a little scary.
But to get back to respect and honesty: to me, capturing to the best of my memory/knowledge what happened in my life and who was there is one of the cornerstones of good writing. I’ve seen writers embellish descriptions of people to make their writing seem “cooler,” and I’m always like, “WHY?!!!” To capture the truth of someone is huge. They say never work with children or animals because their naturalness will upstage you every time — the same goes for writing true characters. Making up characters is awesome (and obviously what you do in fiction most often), but you can also get a lot of emotional mileage out of just capturing someone on the page to the best of your ability.
Of course there’s that scene in the Netflix show The Crown (which I love) where Winston Churchill (John Lithgow) freaks out because his modernist portraitist captures the age and decay of his person. And the painter tells him he painted age and decay because he saw age and decay.
Joan Didion writes, “writers are always selling somebody out.” Yeah, that’s true. So, we deal with it. We breathe through the sensitivity that arises as we sell our people out on the page. But, like, let’s not make ourselves think we have more power than we do. I return to: no one cares. So like that dorky old “dance like no one is watching” (which is, admittedly, pretty good advice), write like no one cares. Because they don’t. It might feel like they do, but they don’t.
Ok, but like that’s not totally true either. The other night I was reading a piece from my book to my husband (for the first time in the two years I’ve been writing it) and he suggested I do not use a loaded religious word because it is secret and LDS people might get pissed at me. While I actually think this is kind of hilarious I decided to change the end of the piece and remove the word. The word wasn’t really doing much anyway and I wrote a better ending. So that’s a thing to think about: everything is an opportunity for improvement in your work. Don’t delete everything, but get creative and see what comes up. Consider an alternative to “my brother is an asshole,” for example. See where the writing takes you.
And then there is the piece about protecting (perhaps abusive) people about whom we’re writing, which I’ve discussed with several writing friends. It’s such a common scenario to find amongst writers, I think, because so many of us found a voice on the page when we felt like it wasn’t safe to have one in real life. So many of us are struggling with just letting ourselves have the freedom to tell our truth.
Here is what I do know: it is healing to get these stories on the page. The scared inner child doesn’t have to be the loudest voice, but she does need some tending to. My therapist has told me to put my hand on my stomach and say, “Shhh shhh.” Let that little inner scared kid know we’re here, and that we’re in the NOW and not THEN. And sometimes he/she does take you over and you just need to cry at the keyboard. But know you are giving her a voice, which is so often what she needs (and what we need). And maybe that’s scary, too, because it’s new.
It's me, Jennifer Bernice (rhymes with "Furnace": it was my Granny's name) Sutkowski
• More details about my writing here.